May 2020 Show & Tell

A number of beautiful fiber art pieces this month: four weavers, one spinner, two knitters, two quilters and one dyer contributed photos and information about their work. Since this month’s meeting is virtual, the the photos and captions are thanks to the weavers, spinner, knitters, quilters and dyer whose work is presented.





From Joyce: A quilted wall hanging

I finished most of Summer Poppies during the quarantine. I had bought the pattern and selected batik quarters when a Valpo quilt shop went out of business. After choosing the fabrics (the fun part) and tracing, cutting and ironing on the pieces, I added light-weight backing and machine-stitched around all the pieces, all edges. My Viking isn’t an embroidery model so a few edges look a little chewed. I thought I was nearly finished! Then I read page 2 of the directions for the trapunto effect. Anything Italian sounds nice, so I took the next steps which required a thicker batt, which I didn’t have. Should I risk our lives to go to Walmart? Of course. Fortunately in my stash I discovered the perfect fabric for the back and with only 8 more finicky hours of machine stitching, I was done. Phew! Thank goodness for the quarantine! Now the question is where to hang it.


From Sue: A baby sweater
Sue: A baby sweater

From Jeanne D.:This is a throw made on my loom of wool, alpaca and tencel. It's a "Frozen" topped with "icicles" and snowballs. There are glitter discs making the snow. 43" by 88" long minus the fringe.
Jeanne D.:This is a throw made on my loom of wool, alpaca and tencel. It’s a “Frozen” topped with “icicles” and snowballs. There are glitter discs making the snow. 43″ by 88″ long minus the fringe.

From Margie: I have a supplemental warp scarf in tencel and pima cotton. It was a fun project. It is the Turned Overshot Scarf pattern on page 51 of Deb Essen's book called Easy Weaving with Supplemental Warps. This pattern included a name/code draft for overshot based on the phrase " I WEAVE" for the supplemental warp.
Margie: I have a supplemental warp scarf in tencel and pima cotton. It was a fun project. It is the Turned Overshot Scarf pattern on page 51 of Deb Essen’s book called Easy Weaving with Supplemental Warps. This pattern included a name/code draft for overshot based on the phrase ” I WEAVE” for the supplemental warp.

Shelby: This is a scarf I tried once before and made the mistake of inadvertently using both cotton and rayon chenille. This one, woven with rayon chenille only, not surprisingly turned out better.
Shelby: This is a scarf I tried once before and made the mistake of inadvertently using both cotton and rayon chenille. This one, woven with rayon chenille only, not surprisingly turned out better.

Sherron: Since my previous post is STILL on my loom, I thought I would try a quick textured scarf from my stash. Novelty yarns for warp sett at 6 epi. Moda Dea Curous from Italy for weft (45% nylon:28% cotton:27% acrylic). I bought it years ago because of the texture. I think it was on sale as I bought quite a few skeins from Meijer or Joann's. In my stash where I realize I have TOO MUCH STUFF!
Sherron: Since my previous post is STILL on my loom, I thought I would try a quick textured scarf from my stash. Novelty yarns for warp sett at 6 epi. Moda Dea Curous from Italy for weft (45% nylon:28% cotton:27% acrylic). I bought it years ago because of the texture. I think it was on sale as I bought quite a few skeins from Meijer or Joann’s. In my stash where I realize I have TOO MUCH STUFF!

Mary: Pair of socks knit from Melvenea’s hand-spun wool yarn, dark purple in the leg and foot and orange pink in the cuff  – and manufacturer’s acrylic and wool yarn in multicolored red purple. These socks were knit for Melvenea Hodges by Mary Warren in exchange for two skeins of hand-spun wool yarn.